![]() The videos included in this article are some examples of my grades before and after using the GH4, recorded on the Blackmagic Design Visual Assist. Film Convert Pro presets, or the official Panasonic V-Log L LUT (which is included in the purchase of the activation key) are good places to start with your grade before adding character into your scene using color. I, for the most part, now do all my grading in Premiere Pro, rather than round tripping to DaVinci Resolve becuase the Non-Linear Editing tools are superior in my opinion. In terms of actually grading the footage when in post, Premiere Pro's Lumetri Color tools have significantly improved in releases over the last 18 months, particularly with the ability to mask colours in the grade using the "Secondary Color" panel. But it will nevertheless be frustrating to early adopters of the GH5. Panasonic released the GH4R a few years after the initial release with V-Log L built in, so one may assume that there could be a similar release pattern with the GH5. Recording at 10-bit 4:2:2 internally is where a flat color profile will become so useful to filmmakers and show off it's dynamic range when graded. I like to use the Blackmagic Video Assist, with the Atomos range of monitors being a popular alternative. Recording in 10-bit 4:2:2 on an external monitor gives you the data for an effective color grade.Īnd this is why it is so disappointing that Panasonic have not included this color profile as standard in the new GH5. V-Log L comes into use when you record using the HDMI out feed into an external recorder. This is because the internal recording bitrate of 200Mbps does not suffice to record in a flat colour profile on this camera. With its ability to professionally emulate the appearance of cameras worth tens of thousands of dollars, you can certainly expect improvements when it comes to attaining better-looking, cinematic footage simply by adding this LUT to your post-production workflow.In most cases, the GH4 in V-Log L creates a noticeable amount of noise that is difficult to grade out completely. Overall, if you can spare the expense, the GHAlex LUT seems to be a worthwhile purchase. This includes scenarios such as high contrast or overexposed scenes, or in environments that lack a significant amount of light. While the GHAlex LUT can lead to more cinematic-looking footage, there may be some instances where the LUT won’t work entirely in your favor. To further push the film look, using the GHAlex LUT can produce less contrast, making it seem as if your camera has more dynamic range than it’s initially designed with.īecause of the gentler treatment of the highlights, coupled with greater dynamic range and more vivid skin tones, adding a color grade on top of the LUT provides you with more flexibility before you push your image further in post, helping you achieve better overall results in the end. ![]() The suggested look-up table also prioritizes skin tones and makes the skin seem more natural and pleasing. ![]() This can be seen in brighter areas of the image, such as the dress of a bride or the skin of the newlywed’s hand below.įurthermore, there is a noticeable, more vibrant color shift when using the GHAlex LUT. That being said, are the results worth paying $65 for a few strings of computer code? Gallagher used the LUTs on some of his old GH5 V-Log test footage to find out.Ĭompared to the traditional Rec.709 look-up table, the GHAlex LUT produces video with more pleasing colors, reminiscent of more cinema-grade cameras. I have footage from the GH4, filmed with the specific settings (EOSHD Cinema Profile) that you researched and find best fitting for the LOG profile, which is applied much like a LUT is, which manipulates color so that it more closely resmbles a LOG profile, so you can then put a 'real' LUT over it, which works better now, than before where you. Of course, you’d use each LUT depending on your shooting conditions, given that you can afford to spend whopping 35 for each preset. Filmmaker Cameron Gallagher has recently tested out the GHAlex look-up table as he who goes over the results attained along the way.įirst and foremost, GHAlex comes in two flavors: daylight and tungsten balance. Nevertheless, Emotive Color suggests a LUT that allows GH5 users to get the most out of their favorite mirrorless camera. As for devices like the GH5, however, getting the desired film look is much more challenging, to say the least. With a highly-esteemed acquisition tool like the ARRI ALEXA, it’s easy to capture cinematic images right off the bat since the intuitively-crafted image sensor of the ALEXA cameras is arguably the best in the world. In this case, this expression would refer to producing visual aesthetics with more balanced colors, higher dynamic range, gentle highlight roll-off, and true-to-life skin tones. While the Panasonic GH5 is touted as one of the most popular mirrorless cameras on the market these days, there is one struggle GH5/GH5s video shooters tend to encounter – how to make their footage look more cinematic.
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